As adult coloring books roll on in major publishing markets, the picture coming together isn’t about literature or books or our culture.
Joaquín Rodríguez shares his views on ebook accessibility, standards and interoperability within the frame of the European single digital market.
Transformation requires cultural change. An Englishman in New York, Nosy Crow’s Tom Bonnick looks back at the conference, after DBW.
Digital Book World and Author Earnings may have transformed an industry standoff into a cooperative trade-and-indie exploration going forward.
The younger generations’ appreciation for print books and more are noted by IPG Fellow Tom Bonnick of Nosy Crow at Digital Book World.
As the IPG’s representative to Digital Book World 2016, Tom Bonnick says he’s looking at the role of independent publishers in today’s industry.
Has book production outpaced readership and what can publishers do about it? Porter Anderson’s opening editorial for Publishing Perspectives explores this.
Trying to instill diversity into the UK publishing industry is like “working on a car while it is still running,“ says Bobby Nayyar. The answer, he asserts, can only be entrepreneurship.
Publishers would do well to ape the binge-watching phenomenon and encourage ‘binge-reading’ of popular series.
Government support for independent publishers is an essential public good because indie publishers provide an essential public service, argues Manuel Rico.