Roger Tagholm considers whether authors pulling out of the PEN ceremony honoring Charlie Hebdo was the appropriate reaction.
Academic researchers and publishers face growing pressure to publish in English but there are challenges in translating work and finding a suitable outlet.
More than money, crowdfunding offers valuable feedback to authors, as they learn the fundamentals of speaking directly to readers, argues Deborah Emin.
Andrea Fuentes of illustrated books publisher La Caja de Cerillos — Match Box Editions — outlines how she is trying to revolutionize reading in Mexico
Aaron Ozee, a prolific 18-year-old self published poet, offers his sometimes unorthodox methodology for becoming a bestselling author.
Robert Levine, author of Free Ride, explores how copyright law is and is not serving authors and consumers in today’s Internet-dominated marketplace.
Literary agent Barbara J. Zitwer reflects on the pivotal role the Frankfurt Book Fair has played in her life and career.
A ghost writer and former journalist argues that publicists need to work more closely with authors and receive proper training if they are to be truly effective.
Marleen Seegers of the 2 Seas Agency advises foreign rights agents attending Frankfurt to be prepared, stay late, try new things and, yes, don’t drink alcohol.
If Amazon believes in readers and Hachette believes in authors as much as they say, it’s imperative they end their fight as soon as possible, argues Tanja Tuma.