Louise Adler, president of the Australian Publishers Association, outlines her industry’s battle against potentially damaging copyright reforms.
IPA president Richard Charkin writes about why publishers in countries with ‘inglorious track records on freedom to publish’ deserve the IPA’s support
Contrasts and comparisons, challenges and opportunities: a group of English-language children’s book editors share their observations of the Germany market following their summer German Book Office tour.
Can changes to copyright in places like Germany or Canada threaten your business? In order to protect their revenue, publishers need to know about copyright battles being fought around the world.
On a wrenching day, we learned that UK voted to leave the European Union. Despite Brexit, the book publishing industry remains internationally engaged.
Nobody’s wrong, there’s no blame here, and no easy answers, either. But world publishing has a calendar-stuffing problem and we’re giddy on jet fuel: we can do better.
‘Publishing is now multi-format: success in one format should not be seen as a victory over the other format.’ But are we ready yet to hear such wisdom around the UK Publishers Association’s report?
A unique and valuable experiment in a community will close on September 1 if its creator Craig Mod’s current plan for responsibly archiving the project goes forward.
In a Publishing Perspectives exclusive, Bodour Al Qasimi reacts to the International Publishers Association’s recent membership controversy and looks at the Arab world’s industry in globalization.
The architecture of the publishing industry today continues to transform as The Bookseller’s Philip Jones and Publishers Weekly’s Andrew Albanese discussed in a special journalists’ session at London Book Fair.