By Dennis Abrams | @DennisAbrams2
Studied: Physical Book Sales, 2001-2016In a report for The Guardian, Alison Flood writes that translated literary fiction is now selling better on average in the UK than literary fiction written originally in English, with authors including Elena Ferrante, Haruki Murakami, and Karl Ove Knausgård “driving a boom in sales.”
According to a survey commissioned by the Man Booker International Prize, while fiction in translation made up just 3.5 percent of literary fiction titles in 2015 sales, it accounted for a robust 7 percent of sales in 2015.
“The research, conducted by Nielsen Book, looked at physical book sales in the UK between January 2001 and April 2016.
“It found that translated fiction sales almost doubled over the last 15 years, from 1.3 million to 2.5 million copies, while the market for fiction as a whole fell from 51.6 million in 2001 to 49.7 million in 2015.
“Although the proportion of translated fiction is still ‘extremely low’, at 1.5 percent overall, the sector still “punches well above its weight,” said [Nielsen], with that 1.5 percent accounting for 5 percent of total fiction sales in 2015.”
As reported on the Man Booker website:
“During the period of study, literary fiction books were translated from 91 languages, from Afrikaans to Yiddish. The most popular source language was French, with 200,000 books selling in 2001, rising to over 400,000 in 2015.
“Sales of Italian literary fiction rose from 37,000 in 2001 to 237,000 in 2015, due in no small part to the Ferrante phenomenon.
“Sales of Korean books have risen from only 88 copies in 2001 to 10,191 in 2015, a reflection of the South Korea market focus at London Book Fair in 2014.
“As has been noted by the Man Booker International Prize judges, the languages of the Indian sub-continent are extremely under-represented with just a handful of titles published from Kannada and a fall in the number of literary fiction from Hindi available in the period from 686 to 299 titles.
Fiammetta Rocco, administrator of the Man Booker International Prize told The Guardian:
“In 2001, every literary fiction title written in English sold an average 1,153 copies, while every translated literary fiction title sold only 482 copies.
“By 2015 this had completely changed – every literary fiction title written in English sold an average of only 263 copies, while every translated literary fiction title sold an average of 531 copies.
“Not only are the numbers of translated books sold going up, but there is an incredibly devoted readership in Britain of translated fiction. We were amazed to discover this – the only thing we’ve known is the 3-percent figure and we didn’t know if that related to the number of titles published, or to sales.
“For translated literary fiction, it turns out the proportion published is about the same, at 3.5 percent, but that sales are much higher, at 7 percent.”
Rocco added that the research was “confirmation of the health and growth potential of international fiction in the UK”, and expressed the hope that it would “encourage publishers and agents to take more risks and invest in translation”.
Deborah Smith, publisher at Tilted Axis Press and translator of the Man Booker International Prize nominated The Vegetarian by Han Kang, told Flood that Nielsen Book’s findings were not particularly surprising.
“Part of the reason I became a translator in the first place was because Anglophone or Eurocentric writing often felt quite parochial,” she said. “Setting up Tilted Axis Press came from a similar impulse; our focus on Asian literatures – where linguistic experimentation is informed by daily lives shifting between languages – is a brilliant way of discovering the stylistic innovation and non-conforming narratives that most excite us.”
Waterstones fiction buyer Chris White agreed, telling Flood, “We’ve now reached a stage where not only are people happy to read fiction in translation, they are positively seeking it out. Currently 25 percent of our top 20 fiction titles are translated and if more were published I’m sure that percentage would be higher still.”
White added that the popularity of Scandinavian crime novels had helped to ease the fears that many readers might have had about reading fiction in translation.
More on translation is in our story from Lena Prisner this week, PEN World Voices: Assumptions and Frustrations in Non-Fiction Translation.
In agreement with Chris White, Marie Bilde finds tht Scandinavian literature has been boosted by crime novels: Scandinavian Literature Goes Global.