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The People Who Eat Darkness: In Cold Blood for the 21st Century
August 12, 2012
By Dennis Abrams
“Lucie disappeared on Saturday, July 1, 2000, at the midpoint of the first year of the twenty-first century. It took a week for the news to reach the world at large.”
The story is as simple and basic and horrifying as the title suggests: A young British woman, Lucie Blackman, working as a hostess in a club in Tokyo’s Roppongi district to earn money to pay off debts, vanishes, seemingly without a trace. By page sixteen, the reader knows that by the time the “missing” posters were being printed and distributed, Blackman was already dead. But what Parry accomplished was to write a nail-biting thriller (What happened to Lucie? Who was involved?) that also turns into an examination of (among other things) Lucie, her life and her family; the media and publicity; the Japanese police department and court system, Tokyo’s “entertainment” district, and Japanese “otherness;” differing ways of grieving; the lives of Koreans living in Japan; and evil and our inability, in the end, to truly understand it. And much much more.
Reviewers have compared The People Who Eat Darkness to Truman Capote’s masterpiece, In Cold Blood. For me, it more than stands up against Capote: I found it thrilling, fascinating, chilling, impossible to put down, and a look into a culture and lives that were very foreign to me. And really, what more could want from a summer read?