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	<title>Comments on: Author Contracts 2.0: Putting Cash Before Copyright and Control</title>
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	<description>International publishing news and opinion</description>
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		<title>By: E-books are a Cul-de-sac: Why Publishing Needs to Rethink Its Digital Strategy</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6096</link>
		<dc:creator>E-books are a Cul-de-sac: Why Publishing Needs to Rethink Its Digital Strategy</dc:creator>
		<pubDate>Tue, 30 Mar 2010 07:21:44 +0000</pubDate>
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		<description>[...] access, segments, chapters, quotes, mash-ups, readings, conferences, or anything else (a point made Friday on Publishing Perspectives by Clive [...]</description>
		<content:encoded><![CDATA[<p>[...] access, segments, chapters, quotes, mash-ups, readings, conferences, or anything else (a point made Friday on Publishing Perspectives by Clive [...]</p>
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		<title>By: Consultant: Publishing moving toward less control, more interactivity &#124; TeleRead: Bring the E-Books Home</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6067</link>
		<dc:creator>Consultant: Publishing moving toward less control, more interactivity &#124; TeleRead: Bring the E-Books Home</dc:creator>
		<pubDate>Sun, 28 Mar 2010 00:47:10 +0000</pubDate>
		<guid isPermaLink="false">http://publishingperspectives.com/?p=13474#comment-6067</guid>
		<description>[...] Bury at Publishing Perspectives has an interesting article on a consultant’s talk at a recent publishing conference. Clive Rich, principal of Rich Futures, [...]</description>
		<content:encoded><![CDATA[<p>[...] Bury at Publishing Perspectives has an interesting article on a consultant’s talk at a recent publishing conference. Clive Rich, principal of Rich Futures, [...]</p>
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		<title>By: Children&#8217;s Fitness &#124; burnfatbuildmuscleinfo.net</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6019</link>
		<dc:creator>Children&#8217;s Fitness &#124; burnfatbuildmuscleinfo.net</dc:creator>
		<pubDate>Thu, 25 Mar 2010 23:53:00 +0000</pubDate>
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		<description>[...] Author Contracts 2.0: Putting Cash Before Copyright and Control [...]</description>
		<content:encoded><![CDATA[<p>[...] Author Contracts 2.0: Putting Cash Before Copyright and Control [...]</p>
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		<title>By: Jan Whitaker</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6017</link>
		<dc:creator>Jan Whitaker</dc:creator>
		<pubDate>Thu, 25 Mar 2010 21:04:57 +0000</pubDate>
		<guid isPermaLink="false">http://publishingperspectives.com/?p=13474#comment-6017</guid>
		<description>The last thing authors should do is to give up control of their intellectual property. Would you advise artists to leave their names off of paintings and let anyone who wants to sign them do so?</description>
		<content:encoded><![CDATA[<p>The last thing authors should do is to give up control of their intellectual property. Would you advise artists to leave their names off of paintings and let anyone who wants to sign them do so?</p>
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		<title>By: jake</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6014</link>
		<dc:creator>jake</dc:creator>
		<pubDate>Thu, 25 Mar 2010 17:46:06 +0000</pubDate>
		<guid isPermaLink="false">http://publishingperspectives.com/?p=13474#comment-6014</guid>
		<description>This is silly and not particularly transparent. DRM allows for more control of the use of the work not less.  If authors are choosing from a pallette of services electronically, why can&#039;t they deal with the decision - or even change their decision - on a near instantaneous basis? For example, if a publisher wants to include a chapter in an anthology work, why can&#039;t they send the author an e-mail with a deadline and let the author decide then and there? A &#039;yes&#039; triggers a royalty feed in which digital payments are AUTOMATICALLY sent to the authors and publisher and agent for any advance and every sale.  If BMI and ASCAP can protect copyright owners on a per use basis in the music business,  why not for books, ebooks and other uses of written material?  

The commentator&#039;s background in music really skews his perspective becasue in that business there has historically  been more free use of material; and piracy is culturally acceptable because a majority of the customers are broke teens.  While books may fall prey to easier electronic lending, the audience  traditionally skews older, has money and understands that there is no free lunch. Further there is also a notion that owning books has an inherent value, so the models of behavior are likely to be quite different. 

The web IS evolving too and the era of garnering eyeballs and figuring out how to monetize them later is largely over as Google still smarts from You Tube acquisition (Don&#039;t mention MySPace to Rupert Murdoch) and Facebook and Twitter will be the latest social media (remember AIM?) to figure out that people don&#039;t like other people monetizing their personal communications.  And if Viacom prevails over YouTube, how many billions more will Google lose in a tidal wave of lawsuits?

The publishing world is changing, but mainly to the benefit of authors.  The best alliance right now would be authors and publicists - the least paid in the industry because Rich is right.  If authors can form relationships with their readers as though their were no publishers, they will thrive --- as will the authors whom publishers made famous or even semi-famous.

But none of this requires authors relinquishing control of how their work is used.</description>
		<content:encoded><![CDATA[<p>This is silly and not particularly transparent. DRM allows for more control of the use of the work not less.  If authors are choosing from a pallette of services electronically, why can&#8217;t they deal with the decision &#8211; or even change their decision &#8211; on a near instantaneous basis? For example, if a publisher wants to include a chapter in an anthology work, why can&#8217;t they send the author an e-mail with a deadline and let the author decide then and there? A &#8216;yes&#8217; triggers a royalty feed in which digital payments are AUTOMATICALLY sent to the authors and publisher and agent for any advance and every sale.  If BMI and ASCAP can protect copyright owners on a per use basis in the music business,  why not for books, ebooks and other uses of written material?  </p>
<p>The commentator&#8217;s background in music really skews his perspective becasue in that business there has historically  been more free use of material; and piracy is culturally acceptable because a majority of the customers are broke teens.  While books may fall prey to easier electronic lending, the audience  traditionally skews older, has money and understands that there is no free lunch. Further there is also a notion that owning books has an inherent value, so the models of behavior are likely to be quite different. </p>
<p>The web IS evolving too and the era of garnering eyeballs and figuring out how to monetize them later is largely over as Google still smarts from You Tube acquisition (Don&#8217;t mention MySPace to Rupert Murdoch) and Facebook and Twitter will be the latest social media (remember AIM?) to figure out that people don&#8217;t like other people monetizing their personal communications.  And if Viacom prevails over YouTube, how many billions more will Google lose in a tidal wave of lawsuits?</p>
<p>The publishing world is changing, but mainly to the benefit of authors.  The best alliance right now would be authors and publicists &#8211; the least paid in the industry because Rich is right.  If authors can form relationships with their readers as though their were no publishers, they will thrive &#8212; as will the authors whom publishers made famous or even semi-famous.</p>
<p>But none of this requires authors relinquishing control of how their work is used.</p>
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		<title>By: Writers, readers, publishers, and the desire to know everything at once - BookSprung</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-6008</link>
		<dc:creator>Writers, readers, publishers, and the desire to know everything at once - BookSprung</dc:creator>
		<pubDate>Thu, 25 Mar 2010 14:09:13 +0000</pubDate>
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		<description>[...] channels, according to Clive Rich, a lawyer with experience in the music industry who spoke at a publishing conference in London last [...]</description>
		<content:encoded><![CDATA[<p>[...] channels, according to Clive Rich, a lawyer with experience in the music industry who spoke at a publishing conference in London last [...]</p>
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		<title>By: Do Analytics and Fan Interaction Help or Hinder Authors?</title>
		<link>http://publishingperspectives.com/2010/03/author-contracts-2-0-putting-cash-before-copyright-and-control/comment-page-1/#comment-5994</link>
		<dc:creator>Do Analytics and Fan Interaction Help or Hinder Authors?</dc:creator>
		<pubDate>Thu, 25 Mar 2010 08:16:56 +0000</pubDate>
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		<description>[...] lead story discusses what the book contract of the future might entail. A big part of that future is the new [...]</description>
		<content:encoded><![CDATA[<p>[...] lead story discusses what the book contract of the future might entail. A big part of that future is the new [...]</p>
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